Monday, July 25, 2022

Me Laudate, Mortua Sum. Classical Schools and Dead Languages

 

Why Do We Latin? Should We Latin?


If you're looking for a robust defense of Latin in classical schools then you should probably not look here. Christopher Perrin, a well-known and respected classical education consultant has a short little article called 10 Reasons to Study Latin that presents the case as well as any other I've seen. I myself know small Latin and less Greek, but what I can give you some insight into why I think classical schools place Latin in such an important position in their curriculum.

When people know nothing else about classical education they usually know that classical schools are "the ones that do Latin." And it's true. Pretty much all classical school require their students to do at least some form of Latin. Usually they begin studying the language in earnest in middle school, and continue it through tenth grade or so. Then, if the student desires, he can either continue in his language studies with a different language (sometimes a modern language like Spanish or another ancient one like Greek) or can give up on languages altogether. 

Argumentum Ex Lēctitandō

I have very mixed feelings on this particular subject. One of the reasons is that the best argument that I have heard for teaching kids to learn Latin (at least the one that rings the most true for me personally) is that it is better to read great works of literature in the languages in which they were originally written. This in undoubtedly a true statement. However, I have never personally seen anyone actually do this in earnest. There may be a handful of classical schools out there who make their students read everything that was originally written in Latin in the language, but most schools I know read English translations of all the works. At best students may work on translating some great works into English (usually the Aeneid), but most of them never attain a mastery of Latin sufficient to write or read in it to any great extent. It's also strange to me that most classical schools would offer Latin and then not Classical Greek under this way of thinking since much of the philosophy and early literature students read in in Greek (again, I know that there are probably a few schools who have really leaned into this, but I would argue that it's not the majority of classical schools).

Reductio Ad Grammaticam

Another argument I hear frequently that is persusasivish from a practical perspective is that it helps them to gain a solid grasp of grammar, of how languages themselves work. The way Latin is taught is inherently different from the more conversational models used to teach languages in progressive schools. Almost by necessity it focuses on grammatical structures. First year students learn not just what nouns are but what  different 'jobs' in a sentence a noun can have. They learn what conjugations actually are. We have noun declensions and verb conjugations in English, but our language has simplified the process for native speakers so much that students often don't realize that they decline and conjugate in everyday language. Understanding the basic fundamentals of language is helpful when students are writing in their native language, or when students attempt to learn another language.

Plus it's worth mentioning that many of the modern languages that students will learn, Spanish or French are some of the most popular, are Romance languages in that they are directly descended from Latin. So a foundation in Latin can make learning those languages an easier process.

Advocatus Diaboli... Fortasse...

It could be argued, however, at that point, why not just teach Spanish or French grammatically. Spanish in particular is a language that is beautiful, is living, and is practically valuable. If students are graduating from a classical school with a good understanding of at least one language, shouldn't it be a language that they can actually use to speak and connect with other human beings? Can't you use Spanish to work backward just as easily into Latin if a student decides that's something he wants to do? I'm literally asking, because I don't know. I feel like you probably can though.  I have only heard defenses of Latin at this point, and while I don't necessarily find them compelling, I haven't heard anyone offer a compelling reason to not teach Latin either. So, I guess, I'm ultimately a Latin agnostic, which leads me to my ultimate conclusion as to why I really think classical schools are obsessed with Latin.

Quia, Cur Non

Classical education is a kind of education that is interested in the past and with its connection to tradition and history. Honestly I think that the reason, deep down, that classical schools still teach Latin is because that's the language that was taught to educated people and to the gentleman classes until the rise of the progressive education movement. There are a lot of people who are incredibly passionate defenders of the Latin curriculum. Most of them as far as I can tell are also classicists (people who study Latin and Greek languages and literature). So, at the end of the day why do I think our schools teach Latin? It's not for the grammar, it's not for the root words, it's not so that children become fluent masters who read Cicero's speeches fluently. Latin does teach grammar, it does teach root words, etc. etc. whatever. I think it simply comes down to the fact that it's traditional and if it's good for people to learn a different language, then why not Latin?

*I know that all my Latin headings are bad. I did my best but at the end of the day I have to live with the knowledge that all I did was make English sentences with Latin words.

Saturday, July 23, 2022

I'm Famous! Classical Education Podcast

I'm On a Podcast, Therefore



Good morning friends. Today I'd like to share a recent opportunity I got to participate the Classical Education Podcast hosted by Adrienne Freas and Trae Bailey. 

It was such a fun conversation. We talked about the narratives that make us who we are, the importance of storytelling in education, and how to deal gracefully with the competing false tales our students are indoctrinated with by the media. 

I highly recommend the podcast. Adrienne and Trae talk to a bunch of interesting people about everything that makes classical education so delightful. I've known Adrienne for years. She's a mentor to me. If I know anything about how to teach then she's the one who started me on my classical education journey. 

I also highly recommend that you listen to me because I am delightful. Click the picture for the link! Also, please remember that you can hire me to come and talk about classical education and classical pedagogy! 





What's a Liberal Art and Where Can I Buy One: The Quadrivium

                                            

The Quadrivium

This is part 2/2. Find Part One here.

Last week(ish) we discussed what a liberal art was and introduced the three liberal arts that make up the Trivium. These three arts, grammar, logic, and rhetoric, are the arts that concern the uniquely human powers of reason and speech. Today we'll look at the remaining four arts that make up a group called the Quadrivium. 

The four arts of the quadrivium are Arithmetic, Geometry, Music, and Astronomy. At first glance these may not seem like they're natural companions, well at the very least music seems to be an outlier, but it makes more sense when we understand that the arts of the quadrivium are the arts that combine human reason with number. These are my weakest subjects. I'm a poor student of them for many reasons, not the least of which are my own moral failings. I bring this up because, while I know what they are, they're a bit more difficult for me to explain than the arts of the trivium. 

The Four Arts

Arithmetic

So, let's get this over with: Arithmetic is the study of quantity (number) itself. It includes concepts as basic as even and odd, more and less, counting. It becomes more complex from there. Basically everything we do with quantity stems from the arithmetical art. Addition. subtraction, multiplication, division, fractions, decimals, variables, all of these and their relations are studied in arithmetic. Arithmetic can be as simple as counting and as complex as calculus. Arithmetic is usually considered to be the first and foundational member of the quadrivium as all the others use number as the foundations for their respective arts. 

Geometry


Next is Geometry. Geometry is the art that studies number in space, not the black void of space, but the


concept of space and spatial relations. This is the math with the shapes. Geometry is pretty abstract. It's interested in understanding figures. What are the different shapes? What are their parts? What rules govern their construction? Geometry was pretty set as a discipline for thousands of years. The Greek thinker Euclid literally wrote the book on the subject. There have been more recent developments in the field that I am absolutely unqualified to comment on given my one and only ever 'C' that I won in high school Geometry. However I do know that Descartes, the Renaissance thinker, wrote enough on Geometry that they named a branch after him (Cartesian Geometry aka analytic geometry), and apparently some mathematicians figured out how to break the rules set down by Euclid, so now non-Euclidian geometry is a thing. If anyone's interested in that.

Music

The third of the arts is Music! Wait, you say, these arts have been all about math. There's been numbers and rulers, what can music have to do with that? The way we think about music nowadays, as being very arty and about self-expression doesn't have a lot to do with how music actually works from a compositional standpoint. Music is the study of how number relates to time. Western music has seven notes in eight octaves. Music seeks to take these notes and, in varying combinations, at varying speeds, for varying lengths, create harmony, or sounds that are beautiful.

Astronomy

The last of these is Astronomy. This art is the study of number in both space and time. It looks at how the stars and planetary bodies move. It considers their relationship to one another and to the Earth.


Astronomy gives us our ability to create human notions of time (days, weeks, months, years). In the ancient and medieval world astronomy was studied for its own sake as much as it was studied for its uses in navigation and agriculture. Really until the Renaissance the realm of the stars and planets was considered a place of perfection. The Earth was fallen and broken, but the realm of the heavens was steady, unchanging, and uncorrupted. A lot of time was spent on astronomy rather than on the other sciences precisely because of this belief. Why would you study the mating habits of tree frogs when you could look at a glorious universe unmarred by sin? Of course with advancements in our ability to actually see the cosmos we've come to realize that some of our assumptions about its unchanging nature and indeed ats basic organization were fundamentally flawed. We've also come to realize that there's a great depth and beauty to be found by examining our own world. However, as humans we're still drawn to the stars.

Astronomy has become a difficult art for liberal arts enthusiasts to deal with. Some think that it should now be excluded. Others think that it should be taught with the other sciences like physics, biology, and chemistry. I think that I fall into the latter category, especially when it comes to physics. I think that quantum physics in particular has shown us more and more that the nature of the universe is more complex and potentially less material than we ever imagined. It may be true that the cosmos are not perfect and unchanging, that they cannot be understood in the mind alone, but as we learn more about just how much we don't know about the nature of reality I can't help but wonder if there was more wisdom than we realize in the old ways of thinking. 

Conclusion

The three arts of the Trivium are inherently linguistic arts. The Quadrivium seems to be their opposite in every way. They're incredibly abstract. They certainly have practical uses and applications, but at their core they exist in an ideal world and lose something when they're translated into material reality. The arts of the Trivium, on the other hand, are inherently concrete arts. Human language is a concrete thing. Grammar has to apply to an actual language for it to mean anything. Rhetoric must make use of the words that exist within a specific language and combine and play with them in ways that still make sense. The Trivium lives and dies in human minds and tongues. The arts in the Quadrivium can live in the mind (including the art of astronomy where men decided what the rules of the universe were in abstract and then tried to make what they saw fit their theory)

However, I think that the Trivium and the Quadrivium aren't really so different. I think at bottom they're both linguistic arts. The Trivium deals with human language. The Quadrivium deals with the language of the universe, the language of God, if you will. These arts seek a truth that is inherently more solid and objective than the arts of the Trivium. The Trivium, when used appropriately, tells the truth of what's in a human mind, a human heart, and this is a great and valuable thing. The arts of the Quadrivium tell the truth of what objective reality is. The Quadrivium take us outside of ourselves and show us something objective and solid. 

There's a lot that can be said about how the truths that the quadrivium reveal are more real when they're abstracted and not when we try to use them in our material reality. I'll just leave you with the thought that the realm of the spirit that can be reached by the human mind at the highest levels is a place of great order and perfection, and by peeking behind the curtain of the material world we can bring the lessons we learn there back to do great and wonderful things, even if they pale in comparison. 

Sources

If you're interested in learning more about the seven Liberal Arts and the Quadrivium in particular I recommend these sources.

  • The Marriage of Philology and Mercury by Martianus Capella. This is a fun resource because Capella explains what the arts are in an allegory. The character Philology, or the human intellectual life, marries the god Mercury. The seven Liberal Arts visit her on her wedding day to explain their gifts and to offer themselves to her as her handmaidens.
  • Institutions of Divine and Secular Learning and On The Soul by Cassiodorus. This one is nice because he provides pretty small descriptions that are easy to understand.
  • Etymologies by Isidore of Seville. This one is longer and more complex for those really interested in diving in. 

Thursday, July 14, 2022

Read Widely and With Abandon

Avid readers know that there are books out there that change your life, that make you better. It's the same with most forms of writing. It's one of the reasons why I make my students read poetry, which is more compact and intense. But what's often impossible to predict are exactly which books will provide someone with that transcendent, sublime experience. This is because it's not always something inherent within the work itself, not always the result of art on the part of the author that touches a person so deeply.

I'm reminded of an anecdote the late great Umberto Eco shared in the 1983 preface to his book How to Write a Thesis. He recounts meeting a friend who questioned a story Eco told about the origins of his own thesis project. Eco attempted to demonstrate the idea that no work is too insignificant to provide the foundation for a thesis project by sharing the origins of his own thesis inspired, he believed, by an argument mentioned in a paragraph of an out-of-print text by an old long-forgotten priest that he found one day randomly in a newsstand. Eco's friend liked the story but claimed that there was no such book and that Eco had invented it. Eco, eager to show his friend that he was honest, took him back to his home, pulled the book off of his shelf, opens it to the very passage that inspired his own thesis, and made an unsettling discovery. There was the page as he remembered, there the passage delineated by the bright red exclamation point he'd made all those years ago, and yet, as Eco read the passage again, he realized that the author had never made the argument that he'd attributed to him all those years ago. Eco's own mind, using the text unconsciously as a springboard for his own thoughts, had come up with the argument while he was reading.

I tell this story for a reason. There are books that make us better. Sometimes they make us better because they share truths we need to hear. Sometimes they inspire a great thought in our minds. Sometimes they awaken in us a sense of the sublime - a reminder of a greater, more terrible reality that exists behind the veil of this world. And sometimes they simply hold a mirror up to our own souls and show us who we really are. 

This is the lesson, then, of academic humility. Books are the great inheritance of humanity. It is not only through books that we can come to understand the mind of another (the author) and can also come to more completely understand ourselves and each other. We should read widely and with abandon any work that takes us and itself seriously (this is not to say that we should read only those works that are serious in tone, but those works whose authors felt they had something important to share whether tragedy or farce, picture book or thousand-page treatise). We should seat ourselves at the feet of anyone who seeks to share his mind with us - not as blind sheep who accept any idea set before us but as humble students open to revelation no matter whose hand held the pen that gives it to us.

We must read the so-called classics, yes, for those authors have written something that has struck a chord with humanity in general. We must read these for the sake of the general humanity that resides within ourselves. And it is possible and even nearly certain that several of these classic works will touch us on a deeply individual level as well. But these are not the only things we should read. Because we are not merely human beings in a general sense, but also individuals, we must read to understand ourselves. Moments of self-revelation can and do come from the works that common consensus has labeled as great, but they are not limited to those works. Mortimer Adler contended that reading was an active process. True reading requires an active mind. An active mind can find meaning in unlikely places drawing on connections culled from the individual experiences of that mind. The meaning is not necessarily inherent in the text in these cases but is discovered as the reading mind uses the words and examines itself. 

I have several examples of this from my own life. I have my favorite books like everyone - books that I feel combine artistry and truth in ways that are beautiful and moving. Jane Eyre, The Divine Comedy, The Faerie Queene, the sonnets of John Donne. Very few people would argue about the importance of these works or debate the necessity of reading them. However, I think that the three works I've read that have changed my life in the most significant ways (I'm excepting the Bible from this) are not ones that would qualify as Great Works of Literature (they're written masterfully, but don't, I think, have a universal quality that defines a true classic). 

"Allowables" by Nikki Giovanni taught me that fear cannot dictate what I view as moral. There are real, knowable moral principles, and my feelings do not change what I am and am not allowed to do. The Four Feathers by A.E.W. Mason helped me understand some fundamental things about myself that I'd been struggling with for several years. Was this the goal of the book? Is anyone else likely to have this experience upon reading it? No, but my own mind used characters and events from the novel to give definition and understanding to my own struggles. And finally, Something Wicked This Way Comes by Ray Bradbury touched me in a profound way and gave me, I think, an experience of the sublime. I don't think that if I read it again I would have the same experience. I'm afraid that it would not touch me in so profound a way a second time. But the last time I read it I felt like I experienced a sensation of the awesome and terrible power of love. Why? I don't know. 

This, then, is why we ought to read - not as a means of escape from reality, but as a way to understand reality and our place in it. This is why it is so important to push our students to read. As we grow older it is easy to become narrow, to fall into patterns of self-deception, to live lives of quiet desperation as Thoreau put it. One of the best ways to avoid this (in addition to loving other people) is to read well. 

There's a beautiful thunderstorm going on at the moment. I'm going to take this opportunity to curl up with a book, and I hope that you do too.      

Monday, July 11, 2022

What's a Liberal Art and Where Can I Buy One? The Trivum


In a case of potentially confusing terminology, classical education is sometimes called a liberal arts education. This is confusing for a couple of reasons. Reason 1. all classical education is technically a liberal arts education, but not all programs that describe themselves as liberal arts programs are classical. This stems from Reason 2. A lot of people don't actually know what the liberal arts are. There are seven liberal arts, but in this post, I will only go over the basic definition of liberal art as a term, and I'll only go over the first three (the linguistic arts of the Trivium). We'll hit the last four next time.

The Liberal Arts

In one sense the answer to the question 'what is a liberal art?' is a relatively simple one. Liberal stems from a Latin word that means 'Free,' and Art stems from a Latin word that means something closer to the English word for 'skill' or 'skilled work.' So, a liberal art is literally a skill needed by a person to function as a free man in society. Remember from a previous post that formal education used to be reserved for society's elite. So a liberal arts education was one designed for men who were not only not slaves, but who were meant to lead their people. Over time the word 'liberal' began to be interpreted in a less literal sense, and now when people talk about the liberal arts they speak of them as the skills that a human being needs to BE truly free. So, the liberal arts over time have shifted from the skills that it was proper for freemen to learn because they were in the class of freemen, and now they are understood as disciplines that create a spiritual and mental freedom in those who study them.

So, that's what the term liberal art means and how it's generally interpreted. There's a little more to it than that, however. According to a tradition that's been handed down since the Middle Ages there are seven liberal arts divided into two categories. There are the three arts of the Trivium (tri - three, vium - way, path, road) and the four arts of the Quadrivium (quad - four, vium - way, path, road). This is kind of my take on them, but the Trivium and the Quadrivium both represent the two different kinds of language that humans use to understand reality.

The Trivium


The three arts of the Trivium are the skills that have to do with human language and our ability to communicate with one another. These arts are Grammar, Logic, and Rhetoric. 

Grammar

Grammar is the art of understanding how language works on a basic level. What are the parts of human language? How do we combine words to make sentences? What are the different kinds of sentences? How does word choice affect meaning? Can we put words in any order we want or is there a point where certain combinations of words destroy coherent meaning? Vocabulary. As anyone who has attempted to learn a new language knows, in order to communicate effectively a person not only needs to have a sufficient number of words from the different parts of speech (nouns, verbs, adjectives, prepositions, etc.), but needs to know how to put those words together in ways that make sense. The sentence "The black dog ate the delicious meal" does not mean the same thing as "The delicious meal ate the black dog." Grammar tells us why. Grammar also tells us why the sentence "Jack gave me a cake." does mean the same thing as "Me Jack a cake gave." Grammar, then, is the ability to understand what language truly is, its ins and outs, the way it works.

Logic

The next art of the Trivium is Logic. Logic takes language and seeks to make it say things that make
sense. Logic is where language tends to look a lot like math. Logic tells us why statements like "A tiger is a cat, but a tiger is not a cat." are nonsense. Grammatically there's nothing wrong with a sentence like that, but it breaks the logical rule of non-contradiction, which says that a statement cannot be true and false at the same time. Logic is a very rigid art. It has a lot of rules and even formulas where variables show the validity and invalidity of certain statements. For example, a classic logical argument is a modus ponens (method of affirming) which says:

p q

p 

 q

 Or in language, If 'P' is true then 'Q' is also true. 'P' is in fact true, therefore 'Q' is also true. P and Q are variables. I told you it was just like math. So, we could substitute actual phrases in for the variables. For example, "If I see a cat then I will eat ice cream. I see a cat! Therefore, I will eat ice cream." Logic is incredibly dry and if it's possible even less interesting to people than grammar is, so it gets skipped a lot. I don't think it should be skipped, but I'll make an apology for logic another time.  For our purposes here, Logic is the art of right thinking, its the art of sense as opposed to nonsense. 

Rhetoric

On to the final member of the Trivium, the sexy one - Rhetoric! Rhetoric gets a bad rap. I mean, honestly, all of the Trivium does. grammar and logic are considered boring, and rhetoric is associated with politicians and therefore has come to be associated with lies and emptiness. That's not really what rhetoric is meant to be. rhetoric is the art of persuasion, it is the art of using language to convince

people to do, or say, or believe something. It seems obvious that rhetoric can easily be abused. However, some of the oldest defenders of rhetoric (i.e. Aristotle) made sure to insert the caveat that REAL rhetoric was concerned with persuading people to do something good or to believe something true. 

Rhetoric is often considered a sort of capstone art because it is meant to combine everything one has mastered from the art of grammar and logic and use them toward the end of persuasion. The best rhetoricians are the ones who know what they want to say, who know how to say it, can say it in a way that makes good sense, and finally can say it in a way that's interesting and moving. It's the last part, interesting and moving, that's unique to rhetoric and that gives rhetoric its unique power.

Conclusion

The Trivium, then, are the human arts. They originate in our humanity, they are unique to us, and they belong to us. There is nothing in nature that can replicate these. If you want to take a theological view they stem from our participation in the image of God. God is a God of language. He gave us reason, which is unique in the natural world (reason being here identified with the ability to think about things beyond our immediate physical needs and desires, the ability to dive into the mysteries of our existence and purpose), and He gave us the ability to take what's inside our heads in all of its complexity and to place it into the heads of other people. Human language is incredible and our ability to use it is an incredible power. The story of Babel illustrates this. Human beings, using language, made themselves so powerful that God, for the sake of their salvation so that they would not orchestrate their own destruction through their hubris, had to confuse and break human language. 

God speaks to us using grammar, logic, and rhetoric. By placing the story of human salvation into a human language He made it possible, through translation, for anyone to understand deep spiritual mysteries. He made His mind and heart known to us. Likewise, in His image, we use language to bear ourselves to one another. Men cannot be truly free unless they can escape from their own minds and connect with other members of their race. We do this with language, with the three arts of the Trivium. There's no denying that language as a human power is incredibly dangerous and easy to abuse, but when language is oriented toward truth, beauty, and goodness it truly shows the best of us. 

Find Part Two here

Sources

If you're interested in reading more on the Liberal Arts or on the Trivium specifically I recommend the following sources (most of these can be found for free online): 
  • Institutes of Oratory by Quintillian. If you want to know not only what these arts are in a lot more detail, at least how they were traditionally considered, but also how they were taught you must read Qunitillian. Quintillian is still used as a model in Neo-Classical schools.
  • The Marriage of Philology and Mercury by Martianus Capella. This is a fun resource because Capella explains what the arts are in an allegory. The character Philology, or the human intellectual life, marries the god Mercury. The seven Liberal Arts visit her on her wedding day to explain their gifts and to offer themselves to her as her handmaidens.
  • Institutions of Divine and Secular Learning and On The Soul by Cassiodorus. This one is nice because he provides pretty small descriptions that are easy to understand.
  • Etymologies by Isidore of Seville. This one is longer and more complex for those really interested in diving in. 

Thursday, July 7, 2022

New Product: Teaching Disputation


I posted a new product! Visit my store I Can Classical at Teachers Pay Teachers. I upload lessons for classical classroom and home educators to use at the middle and high school levels.

This one is on teaching disputation. I use this for middle grades, although if you have high school kids who have only just finished a logic course or who have never had any debate experience this would work for them as well.

Disputation is the medieval art of argumentation or debate. As students finish a course in formal logic it is important to show them what logic is actually for in a practical sense - namely rhetoric. This guide will help students apply logical thinking in a formal and fun way. Students will be introduced to the five-part form of a disputation, will review an example, will read and discuss an example of medieval disputation poetry, and will finally create their own formal written disputation.

This guide contains the following parts:

  • A teacher guide that goes over the entirety of the lesson, and contains verbal prompts and sample answers. The teacher guide also includes extension opportunities.
  • A student guide that contains the images and readings the students will discuss and contains spaces for students to take notes and write their responses.

This lesson will probably take anywhere from three to five 45-minute class sessions to complete if it is done in its entirety.

I hope that you enjoy introducing the art of clear thinking and rational argumentation to your students and hope that this can serve as the foundation for logical thinking, speaking, and writing in your classrooms!

Wednesday, July 6, 2022

Back to Basics - Classical Education Isn't Ancient Education. A Hot Take.


Today is the first of the Back to Basics series where I attempt to share the knowledge and insights I've gained from nearly a decade of asking over and over again 'what is classical education actually?' And I've decided to start with A Hot Take. 

One of the very first pithy descriptions I heard about the modern classical education movement was that it was the way everyone was taught until a hundred years ago. This definition has some very clear benefits: It's intriguing, it brings the weight of tradition and historicity to bear on the mind, and best of all, it's short. Another one I heard recently along the same lines was that classical education was not a new trend. Even shorter! Unfortunately, both of these definitions fall short, mostly because they're not super-duper true. They're a little bit true, but the direct ties they claim to have between the ancient past and the present are... overstated. 

I think that this might be one of the more controversial takes I have within the classical community. The idea that classical education is not just participating or continuing an ancient idea of education, but actually is that idea of education reborn is pretty ingrained in some parts of the community (you didn't know that there was a classical community, but boy is there. Remind me to do a series one day on all the different kinds of classical education and how they fight each other.). I don't think, however, that there's really an honest way to truly claim that classical education is anything other than a uniquely modern educational movement that began truly in the 1950s. 

I tried to write up the history of western education and realized that there's no real way to do that in a single blog post. If I'm devoted to one thing it's not getting too long or academical. So, I'm going to cheat a bit. I think that understanding how education and our understanding of education have evolved over the past two millennia has been incredibly helpful for me as a classical educator. It helped me understand what we're doing and why we're doing it. So I think diving into what education was in those eras is really important. However, I think that a summary of the goals of education in those eras will be enough to show for now that classical education is a fundamentally different enterprise than education was in the distant past.  

I think that looking at who education was for in the past is almost enough to support my claim. For example, in the ancient Greek and Roman world education was almost solely the purview of wealthy freemen. In medieval Europe, it was almost solely reserved for the clergy class in the early middle ages, the aristocrats, and the clergy as the centuries rolled on, and finally, by the time you inch toward the Renaissance education has certainly expanded its scope but is still reserved for the clergy, aristocrats, and nuvo riche middle-class professionals. The Enlightenment era stayed pretty much the same, offering education mainly to those who could afford it, however, the increased availability of books allowed many men from lower classes to start sneaking into the educated elite. They had to really want it though. It's not until the late eighteenth century and really the nineteenth century that people felt like the lowest classes should maybe have the opportunity to learn anything in a formal educational setting, and it's not until the twentieth century that some countries, including the United States, made education compulsory for everyone regardless of class. 

History shows us that there was a trend over time toward making educational opportunities increasingly available to all men regardless of class, station, income, etc. However, it's impossible to overstate how radical compulsory education is in the grand scheme of history. This is not the idea that educational opportunities should be available to everyone, which was the historical trend, but that everyone must receive the same basic education without reference to desire or necessity. 

There's a point to all of this, though. Who education is for reveals a lot about what the goal of education is. The ancient world, ancient Greece and Rome, reserved education for the social elite because education was meant to create statesmen. A peasant farmer didn't need to know how to read or write. He didn't need to know any mathematics beyond the basics that are evident to reason and sense. He didn't need to know how to speak well in front of a crowd. He needed to know how to plow, how to sow and reap. (It is true that the Roman Republic prized itself on having a ruling class who were down-to-earth, think of the gentleman farmer Cincinnatus, but it's important to note that Cincinnatus was not a peasant farmer who became a politician, he was a wealthy elite who preferred farming to politicking.) Education to craft the small class of ruling elite does not sound like any educational goal one would hear today, even in a classical school.

Look then at the Middle Ages. Which class was the most educated? The clergy class. In the early Middle Ages, it would not have been at all unusual to find members of the nobility who were illiterate.  As time went on, the noble classes would begin to educate their children, but if one looks at the conversations surrounding the purpose of education in the Middle Ages they have a decidedly religious flavor. Theology became the queen of all academic disciplines, all other areas of learning were her handmaidens. The purpose of education then? To better contemplate God and to better understand the Christian religion. This will probably strike a chord with those who work at Christian classical schools, but again it's important to remember that this view of education still very much existed within a class system. It was not for everyone, especially as the clergy became inundated with the second and third sons of noble families in an effort avoid inheritance issues. 

The later Middle Ages and the Renaissance took a bit more of a utilitarian approach. Machiavelli might be the best person to look at here. The clergy were educated, the nobles were educated, but an increasing number of former peasants (really skilled artisans and merchants) were becoming incredibly wealthy. This new 'middle class' latched onto education, forming the majority of lawyers and doctors. What was education for now? Power. Education served to divide those with means from those without. This is admitedly a necessary oversimplification of a complicated era, but the general point still holds - who education is for on a practical level tells us a lot about what many people thought it was for. Again, I don't think many classical educators would agree with the principle that the point of education is to maintain or gain social and political clout. Even if we look at the humanist movement, which would have claimed that education served to unlock human potential, it is important to remember that human potential is reserved for those who have the monetary means to attain it. There was not a lot of educational philanthropy going on before the 19th century.

As we move into the Enlightenment, education was meant to produce a gentleman. Class divides were just beginning to erode. A gentleman in this era could be self-made, and you have men like Jefferson writing about schools that would be populated by those with the most merit, regardless of class. These schools are still not for everyone. The idea of class based on historical title or wealth was becoming unpopular, but men like Jefferson weren't advocating for the abolition of class or even radical equality. They were pushing for a class-based society based on merit. A meritocracy. This is closer to what classical schools do, but it's still not really what the goal of most classical schools is. Most classical educators would push back at the idea that the best education should be reserved for the best. 

That brings us almost to where we are now. More democratic minds prevailed. Education has become compulsory from ages five to sixteen. Why? What are we attempting to do? We're not attempting to craft a ruling class. Compulsory education makes that impossible. Ruling classes are small, and even in a country where even the children of former slaves can now and do sit in the highest courts of power, an educational system that serves all men cannot focus on creating political leaders. In the same vein, a public education system in a pluralistic society cannot focus on creating Christian clergy. Even if all students were practitioners of Christianity, education specifically designed to create a priest class would serve only the needs of the few for whom that is a calling. 

In our society, you do see thinkers who view the educational system as a tool to wield power - political and social power. The proper educational training allows one to join an inner circle of our intellectual and political betters. Education itself is a tool to be wielded in the pursuit of this power. You see this in the progressive movement in the nineteenth century, with the communist takeover of the teacher schools in the 1960s, and in the leftist movements of the present day. Classical education usually unequivocably sets itself against this view of education.

So, where does this leave us? What is classical education? It's not the way everyone was taught until a hundred years ago. A hundred years ago everyone was not taught. It is new. It has to be. Classical education is not a useful enterprise in the way people typically mean useful. It certainly can and does provide an excellent education for those who will rule us, both politically and religiously, but the production of ruling classes is not its goal. It is a powerful education because it is centered on the pursuit of truth, but the seeking of power for its own sake is not its goal. Classical education is not old, but it is traditional. Because classical education exists in a world where education is compulsory its goal must be universal. At bottom, I think, if you speak to most classical educators and most people who think about what classical education is for, it comes to this: Classical education seeks to create rational and moral persons. Almost every person has the capacity to be rational to one degree or another. Almost every person has the capacity to be moral to one degree or another. A universal education's goal must be universal.

In some ways, modern classical education is superior to the historical kinds of education from which it stems. The idea that all persons are worthy of the opportunity of developing all aspects of their humanity is an excellent one. The recognition of the fact that all students are not just minds but also souls is not one that is unique to classical education, but classical education's synthesis of modern democratic notions with traditional morality is laudable. It's a kind of education created in a modern world to be used in modern schools which are fundamentally different from their ancient counterparts. Its form and its goals are modern (and we must be careful not to automatically equate modern with bad in a sort of reverse chronological snobbery), but it does retain a connection to the past through its understanding of what a good man is. 

Classical education is, in a sense, the product of evolution. It is not ancient education but it is descended from historical impulses that have been working themselves out for over two thousand years. It retains vestiges from the older models that preceded it, but it has adapted itself for the world in which it finds itself. 

So, what is classical education? It is the product of two thousand years of educational practice working itself out in the minds of educators long dead and in the policies of societies that have come and gone. It is an animal whose ancestors we can trace back in the fossil record, related to the dead, but better for living.