Monday, July 25, 2022
Me Laudate, Mortua Sum. Classical Schools and Dead Languages
Saturday, July 23, 2022
What's a Liberal Art and Where Can I Buy One: The Quadrivium
The Quadrivium
Last week(ish) we discussed what a liberal art was and introduced the three liberal arts that make up the Trivium. These three arts, grammar, logic, and rhetoric, are the arts that concern the uniquely human powers of reason and speech. Today we'll look at the remaining four arts that make up a group called the Quadrivium.
The four arts of the quadrivium are Arithmetic, Geometry, Music, and Astronomy. At first glance these may not seem like they're natural companions, well at the very least music seems to be an outlier, but it makes more sense when we understand that the arts of the quadrivium are the arts that combine human reason with number. These are my weakest subjects. I'm a poor student of them for many reasons, not the least of which are my own moral failings. I bring this up because, while I know what they are, they're a bit more difficult for me to explain than the arts of the trivium.
The Four Arts
Arithmetic
So, let's get this over with: Arithmetic is the study of quantity (number) itself. It includes concepts as basic as even and odd, more and less, counting. It becomes more complex from there. Basically everything we do with quantity stems from the arithmetical art. Addition. subtraction, multiplication, division, fractions, decimals, variables, all of these and their relations are studied in arithmetic. Arithmetic can be as simple as counting and as complex as calculus. Arithmetic is usually considered to be the first and foundational member of the quadrivium as all the others use number as the foundations for their respective arts.
Geometry
Next is Geometry. Geometry is the art that studies number in space, not the black void of space, but the
concept of space and spatial relations. This is the math with the shapes. Geometry is pretty abstract. It's interested in understanding figures. What are the different shapes? What are their parts? What rules govern their construction? Geometry was pretty set as a discipline for thousands of years. The Greek thinker Euclid literally wrote the book on the subject. There have been more recent developments in the field that I am absolutely unqualified to comment on given my one and only ever 'C' that I won in high school Geometry. However I do know that Descartes, the Renaissance thinker, wrote enough on Geometry that they named a branch after him (Cartesian Geometry aka analytic geometry), and apparently some mathematicians figured out how to break the rules set down by Euclid, so now non-Euclidian geometry is a thing. If anyone's interested in that.
Music
The third of the arts is Music! Wait, you say, these arts have been all about math. There's been numbers and rulers, what can music have to do with that? The way we think about music nowadays, as being very arty and about self-expression doesn't have a lot to do with how music actually works from a compositional standpoint. Music is the study of how number relates to time. Western music has seven notes in eight octaves. Music seeks to take these notes and, in varying combinations, at varying speeds, for varying lengths, create harmony, or sounds that are beautiful.
Astronomy
The last of these is Astronomy. This art is the study of number in both space and time. It looks at how the stars and planetary bodies move. It considers their relationship to one another and to the Earth.
Astronomy gives us our ability to create human notions of time (days, weeks, months, years). In the ancient and medieval world astronomy was studied for its own sake as much as it was studied for its uses in navigation and agriculture. Really until the Renaissance the realm of the stars and planets was considered a place of perfection. The Earth was fallen and broken, but the realm of the heavens was steady, unchanging, and uncorrupted. A lot of time was spent on astronomy rather than on the other sciences precisely because of this belief. Why would you study the mating habits of tree frogs when you could look at a glorious universe unmarred by sin? Of course with advancements in our ability to actually see the cosmos we've come to realize that some of our assumptions about its unchanging nature and indeed ats basic organization were fundamentally flawed. We've also come to realize that there's a great depth and beauty to be found by examining our own world. However, as humans we're still drawn to the stars.
Conclusion
Sources
- The Marriage of Philology and Mercury by Martianus Capella. This is a fun resource because Capella explains what the arts are in an allegory. The character Philology, or the human intellectual life, marries the god Mercury. The seven Liberal Arts visit her on her wedding day to explain their gifts and to offer themselves to her as her handmaidens.
- Institutions of Divine and Secular Learning and On The Soul by Cassiodorus. This one is nice because he provides pretty small descriptions that are easy to understand.
- Etymologies by Isidore of Seville. This one is longer and more complex for those really interested in diving in.
Monday, July 11, 2022
What's a Liberal Art and Where Can I Buy One? The Trivum
The Liberal Arts
The Trivium
Grammar
Logic
p q
p
q
Or in language, If 'P' is true then 'Q' is also true. 'P' is in fact true, therefore 'Q' is also true. P and Q are variables. I told you it was just like math. So, we could substitute actual phrases in for the variables. For example, "If I see a cat then I will eat ice cream. I see a cat! Therefore, I will eat ice cream." Logic is incredibly dry and if it's possible even less interesting to people than grammar is, so it gets skipped a lot. I don't think it should be skipped, but I'll make an apology for logic another time. For our purposes here, Logic is the art of right thinking, its the art of sense as opposed to nonsense.
Rhetoric
On to the final member of the Trivium, the sexy one - Rhetoric! Rhetoric gets a bad rap. I mean, honestly, all of the Trivium does. grammar and logic are considered boring, and rhetoric is associated with politicians and therefore has come to be associated with lies and emptiness. That's not really what rhetoric is meant to be. rhetoric is the art of persuasion, it is the art of using language to convince
people to do, or say, or believe something. It seems obvious that rhetoric can easily be abused. However, some of the oldest defenders of rhetoric (i.e. Aristotle) made sure to insert the caveat that REAL rhetoric was concerned with persuading people to do something good or to believe something true.Rhetoric is often considered a sort of capstone art because it is meant to combine everything one has mastered from the art of grammar and logic and use them toward the end of persuasion. The best rhetoricians are the ones who know what they want to say, who know how to say it, can say it in a way that makes good sense, and finally can say it in a way that's interesting and moving. It's the last part, interesting and moving, that's unique to rhetoric and that gives rhetoric its unique power.
Conclusion
The Trivium, then, are the human arts. They originate in our humanity, they are unique to us, and they belong to us. There is nothing in nature that can replicate these. If you want to take a theological view they stem from our participation in the image of God. God is a God of language. He gave us reason, which is unique in the natural world (reason being here identified with the ability to think about things beyond our immediate physical needs and desires, the ability to dive into the mysteries of our existence and purpose), and He gave us the ability to take what's inside our heads in all of its complexity and to place it into the heads of other people. Human language is incredible and our ability to use it is an incredible power. The story of Babel illustrates this. Human beings, using language, made themselves so powerful that God, for the sake of their salvation so that they would not orchestrate their own destruction through their hubris, had to confuse and break human language.
God speaks to us using grammar, logic, and rhetoric. By placing the story of human salvation into a human language He made it possible, through translation, for anyone to understand deep spiritual mysteries. He made His mind and heart known to us. Likewise, in His image, we use language to bear ourselves to one another. Men cannot be truly free unless they can escape from their own minds and connect with other members of their race. We do this with language, with the three arts of the Trivium. There's no denying that language as a human power is incredibly dangerous and easy to abuse, but when language is oriented toward truth, beauty, and goodness it truly shows the best of us.
Find Part Two here
Sources
- Institutes of Oratory by Quintillian. If you want to know not only what these arts are in a lot more detail, at least how they were traditionally considered, but also how they were taught you must read Qunitillian. Quintillian is still used as a model in Neo-Classical schools.
- The Marriage of Philology and Mercury by Martianus Capella. This is a fun resource because Capella explains what the arts are in an allegory. The character Philology, or the human intellectual life, marries the god Mercury. The seven Liberal Arts visit her on her wedding day to explain their gifts and to offer themselves to her as her handmaidens.
- Institutions of Divine and Secular Learning and On The Soul by Cassiodorus. This one is nice because he provides pretty small descriptions that are easy to understand.
- Etymologies by Isidore of Seville. This one is longer and more complex for those really interested in diving in.
Wednesday, July 6, 2022
Back to Basics - Classical Education Isn't Ancient Education. A Hot Take.
One of the very first pithy descriptions I heard about the modern classical education movement was that it was the way everyone was taught until a hundred years ago. This definition has some very clear benefits: It's intriguing, it brings the weight of tradition and historicity to bear on the mind, and best of all, it's short. Another one I heard recently along the same lines was that classical education was not a new trend. Even shorter! Unfortunately, both of these definitions fall short, mostly because they're not super-duper true. They're a little bit true, but the direct ties they claim to have between the ancient past and the present are... overstated.
I think that this might be one of the more controversial takes I have within the classical community. The idea that classical education is not just participating or continuing an ancient idea of education, but actually is that idea of education reborn is pretty ingrained in some parts of the community (you didn't know that there was a classical community, but boy is there. Remind me to do a series one day on all the different kinds of classical education and how they fight each other.). I don't think, however, that there's really an honest way to truly claim that classical education is anything other than a uniquely modern educational movement that began truly in the 1950s.
I tried to write up the history of western education and realized that there's no real way to do that in a single blog post. If I'm devoted to one thing it's not getting too long or academical. So, I'm going to cheat a bit. I think that understanding how education and our understanding of education have evolved over the past two millennia has been incredibly helpful for me as a classical educator. It helped me understand what we're doing and why we're doing it. So I think diving into what education was in those eras is really important. However, I think that a summary of the goals of education in those eras will be enough to show for now that classical education is a fundamentally different enterprise than education was in the distant past.
I think that looking at who education was for in the past is almost enough to support my claim. For example, in the ancient Greek and Roman world education was almost solely the purview of wealthy freemen. In medieval Europe, it was almost solely reserved for the clergy class in the early middle ages, the aristocrats, and the clergy as the centuries rolled on, and finally, by the time you inch toward the Renaissance education has certainly expanded its scope but is still reserved for the clergy, aristocrats, and nuvo riche middle-class professionals. The Enlightenment era stayed pretty much the same, offering education mainly to those who could afford it, however, the increased availability of books allowed many men from lower classes to start sneaking into the educated elite. They had to really want it though. It's not until the late eighteenth century and really the nineteenth century that people felt like the lowest classes should maybe have the opportunity to learn anything in a formal educational setting, and it's not until the twentieth century that some countries, including the United States, made education compulsory for everyone regardless of class.
History shows us that there was a trend over time toward making educational opportunities increasingly available to all men regardless of class, station, income, etc. However, it's impossible to overstate how radical compulsory education is in the grand scheme of history. This is not the idea that educational opportunities should be available to everyone, which was the historical trend, but that everyone must receive the same basic education without reference to desire or necessity.
There's a point to all of this, though. Who education is for reveals a lot about what the goal of education is. The ancient world, ancient Greece and Rome, reserved education for the social elite because education was meant to create statesmen. A peasant farmer didn't need to know how to read or write. He didn't need to know any mathematics beyond the basics that are evident to reason and sense. He didn't need to know how to speak well in front of a crowd. He needed to know how to plow, how to sow and reap. (It is true that the Roman Republic prized itself on having a ruling class who were down-to-earth, think of the gentleman farmer Cincinnatus, but it's important to note that Cincinnatus was not a peasant farmer who became a politician, he was a wealthy elite who preferred farming to politicking.) Education to craft the small class of ruling elite does not sound like any educational goal one would hear today, even in a classical school.
Look then at the Middle Ages. Which class was the most educated? The clergy class. In the early Middle Ages, it would not have been at all unusual to find members of the nobility who were illiterate. As time went on, the noble classes would begin to educate their children, but if one looks at the conversations surrounding the purpose of education in the Middle Ages they have a decidedly religious flavor. Theology became the queen of all academic disciplines, all other areas of learning were her handmaidens. The purpose of education then? To better contemplate God and to better understand the Christian religion. This will probably strike a chord with those who work at Christian classical schools, but again it's important to remember that this view of education still very much existed within a class system. It was not for everyone, especially as the clergy became inundated with the second and third sons of noble families in an effort avoid inheritance issues.
The later Middle Ages and the Renaissance took a bit more of a utilitarian approach. Machiavelli might be the best person to look at here. The clergy were educated, the nobles were educated, but an increasing number of former peasants (really skilled artisans and merchants) were becoming incredibly wealthy. This new 'middle class' latched onto education, forming the majority of lawyers and doctors. What was education for now? Power. Education served to divide those with means from those without. This is admitedly a necessary oversimplification of a complicated era, but the general point still holds - who education is for on a practical level tells us a lot about what many people thought it was for. Again, I don't think many classical educators would agree with the principle that the point of education is to maintain or gain social and political clout. Even if we look at the humanist movement, which would have claimed that education served to unlock human potential, it is important to remember that human potential is reserved for those who have the monetary means to attain it. There was not a lot of educational philanthropy going on before the 19th century.
As we move into the Enlightenment, education was meant to produce a gentleman. Class divides were just beginning to erode. A gentleman in this era could be self-made, and you have men like Jefferson writing about schools that would be populated by those with the most merit, regardless of class. These schools are still not for everyone. The idea of class based on historical title or wealth was becoming unpopular, but men like Jefferson weren't advocating for the abolition of class or even radical equality. They were pushing for a class-based society based on merit. A meritocracy. This is closer to what classical schools do, but it's still not really what the goal of most classical schools is. Most classical educators would push back at the idea that the best education should be reserved for the best.
That brings us almost to where we are now. More democratic minds prevailed. Education has become compulsory from ages five to sixteen. Why? What are we attempting to do? We're not attempting to craft a ruling class. Compulsory education makes that impossible. Ruling classes are small, and even in a country where even the children of former slaves can now and do sit in the highest courts of power, an educational system that serves all men cannot focus on creating political leaders. In the same vein, a public education system in a pluralistic society cannot focus on creating Christian clergy. Even if all students were practitioners of Christianity, education specifically designed to create a priest class would serve only the needs of the few for whom that is a calling.
In our society, you do see thinkers who view the educational system as a tool to wield power - political and social power. The proper educational training allows one to join an inner circle of our intellectual and political betters. Education itself is a tool to be wielded in the pursuit of this power. You see this in the progressive movement in the nineteenth century, with the communist takeover of the teacher schools in the 1960s, and in the leftist movements of the present day. Classical education usually unequivocably sets itself against this view of education.
So, where does this leave us? What is classical education? It's not the way everyone was taught until a hundred years ago. A hundred years ago everyone was not taught. It is new. It has to be. Classical education is not a useful enterprise in the way people typically mean useful. It certainly can and does provide an excellent education for those who will rule us, both politically and religiously, but the production of ruling classes is not its goal. It is a powerful education because it is centered on the pursuit of truth, but the seeking of power for its own sake is not its goal. Classical education is not old, but it is traditional. Because classical education exists in a world where education is compulsory its goal must be universal. At bottom, I think, if you speak to most classical educators and most people who think about what classical education is for, it comes to this: Classical education seeks to create rational and moral persons. Almost every person has the capacity to be rational to one degree or another. Almost every person has the capacity to be moral to one degree or another. A universal education's goal must be universal.
In some ways, modern classical education is superior to the historical kinds of education from which it stems. The idea that all persons are worthy of the opportunity of developing all aspects of their humanity is an excellent one. The recognition of the fact that all students are not just minds but also souls is not one that is unique to classical education, but classical education's synthesis of modern democratic notions with traditional morality is laudable. It's a kind of education created in a modern world to be used in modern schools which are fundamentally different from their ancient counterparts. Its form and its goals are modern (and we must be careful not to automatically equate modern with bad in a sort of reverse chronological snobbery), but it does retain a connection to the past through its understanding of what a good man is.
Classical education is, in a sense, the product of evolution. It is not ancient education but it is descended from historical impulses that have been working themselves out for over two thousand years. It retains vestiges from the older models that preceded it, but it has adapted itself for the world in which it finds itself.
So, what is classical education? It is the product of two thousand years of educational practice working itself out in the minds of educators long dead and in the policies of societies that have come and gone. It is an animal whose ancestors we can trace back in the fossil record, related to the dead, but better for living.
Monday, June 27, 2022
Back to Basics - What is Classical Education?
I recently attended a professional development conference for educators who have experience teaching at classical schools. Despite the collective experience in the room, the first two sessions, totaling over three hours, were devoted to an attempt to define classical education. I won't dwell on the eye-rolls and mild agitation of the more seasoned classical teachers, but will instead offer an explanation as to why basically everywhere people go in the classical education world people feel the need over and over to try to explain what classical education is. The answer is very simple - no one, including the people giving their definitions, knows.
Thank you for your time, you've been a wonderful audience.
Ok, in all seriousness though, in all my time as a classical educator I have never heard two people give the same explanation or definition of classical education. I've heard it described as, "the way everyone was educated until one hundred years ago," "a distinctive education based on the Greek and Roman tradition," "An education that produces good men who speak well," "an education that shapes the thoughts and pleasures of its students toward the Good, the True, and the Beautiful," "An education that produces joy and wonder and creates students who are a light to those around them," or "an education that leads students toward Truth, Goodness, and Beauty and seeks to pass on the soul of a society from one generation to the next." I actually heard all of those different definitions last week. There were twice as many as which were floated, but honestly, I got bored and stopped writing them down. You feel like you know what it is yet? I know my struggle has always been that these so-called definitions that people frequently float have no shortage of jargon but are somewhat lacking in actual substance.
So, how, then, are schools able to describe themselves as classical, to claim that they're providing a classical education if there's not a clear sense of what a classical education actually is? I've sort of discovered that when most people talk about classical education, they're not really talking about a real pedagogical thing. They're more talking about a sort of pedagogical zeitgeist, a feeling, a movement.
Over the next few weeks, I'd like to explore some of the ideas, methods, and courses that tend to be shared by schools that call themselves classical. It should be noted, however, that because there's not an actual clear-cut definition of classical education, there's not an actual set of rules or pedagogical prescriptives that can be produced and pointed to, that the list I'll be exploring is built on generalizations and tendencies within the so-called classical community. Not every school or co-op will do everything listed, and that's ok.
So, what makes a school 'classical?'
According to my observations, a classical school tends to, in broad strokes:
- Connect itself to a perception of a more moral and more academically rigorous past
- Describe itself as a liberal arts institution
- Require its students to learn Latin
- Use older books and use primary texts as its main teaching tools
- Focus on producing students who can use language well
- Is classical education really the way everyone was educated until a hundred years ago? Here
- What is a liberal art, and where can I buy one? Part One, Part Two
- What is the point of learning a dead language (no, really, what is the point)?
- Should we only read things by dead people?
- And finally, Who is the 'good man speaking well?'